DIG WHERE YOU STAND-FROM COAST TO COAST: SEKE (September 2023-February 2024)
Dig Where You Stand – From Coast to Coast: Seke is an exhibition that delves into the concept of unity and shared humanity in Africa, transcending divisions imposed upon us. Inspired by Dr. Kwame Nkrumah’s call for African solidarity, the exhibition explores themes of voyage, displacement, migration, and labor, while addressing the ongoing dialogue of repatriation and restitution.
Focusing on coastal African countries, particularly cities with historic “points of no return,” the exhibition series aims to decolonize and reclaim the commons. It examines the regenerative power of art across the African continent and its diasporas, going beyond institutional critique and Afro-futurist imaginaries.
In this edition, Dig Where You Stand – Seke, the exhibition envisions a symbolic “Door of Return” as a ship returning to Africa. Using the Ewe/Eʋegbe word “Seke” (meaning anchor) as a unifying symbol, the exhibition connects Lome, Togo, to other Ewe-speaking countries, aligning with the call for African unity.
Taking place within the Palais de Lomé, a site deeply intertwined with the dialogue of restitution and reparation, the exhibition signifies the need for decolonization. The Palais, formerly a symbol of colonial power, has undergone restoration works to redefine its narrative and sever ties with its colonial past. This restoration was carried out by Togolese artisans and companies.
Dig Where You Stand – From Coast to Coast: Seke presents a multifaceted view of the African continent, encouraging collaboration and functional communities. Through various mediums, the exhibition showcases the work of African artists and invites exploration of unexpected perspectives.
To broaden accessibility, mobile photo exhibitions, film screenings, and workshops are organized, extending beyond the Palais de Lomé. These initiatives bring replicas of the exhibition to rural areas, engage students and teachers through workshops, and present case studies for inspiration. Inclusivity is promoted through translations of text and captions into Ewe and the inclusion of audio, ensuring local communities can participate fully in the exhibition.
CURATOR Rosemary Esinam Damalie
CURATORIAL ADVISORY Azu Nwagbogu
SCENOGRAPHY Arsène Younang & Mamee Prempeh
